我在诺顿博物馆里发现的那不勒斯派体现了他在画作中经常用到的技巧。这幅画的厚漆增加了深度和人物，让我想了解它背后的艺术家。Thiebaud选择了庆祝和拥抱公共场所的乐趣，并将他的写实画以“极好的抽象眼光”表现出来。Thiebaud的绘画技巧可以被描述为“一本烹饪书，记录那些在丰富的调色板上添加了嘶嘶声、调味料甚至是点缀的东西”，他想做的是创造一个不同的视觉物种，他说这是所有画家的终极成就。希波说，艺术需要不断地从不同的方面进行运动，才能保持生命力。他还指出，艺术从它周围的一切中汲取灵感。他并不害怕在他的绘画作品中展示给他灵感的其他艺术家，“我的世界是一种犯罪……”我从世界各地的艺术家那里偷东西。这可能就是为什么Thiebaud完全跟随在他之前的艺术家和在他的时代作画的艺术家。Wayne Thiebaud有很多抽象表现主义的艺术家和波普艺术的艺术家，他从他们那里收集技术。在艺术的时代背景下，他借鉴并与他人结合，形成了自己的风格。在这篇论文中，我将描述所有这些方面以及它们的结合是如何产生我们今天所熟知的韦恩·希波的著名作品的。
澳洲艺术论文代写:深度和人物
The Neapolitan Pie that I found in the Norton Museum embodies the techniques that he often used in his paintings. This painting with its thick paint adding to the depth and character led me to want to learn about the artist behind it. Thiebaud chose to celebrate and embrace the delights of the common place and rendered his realistic paintings with a “brilliant eye for abstraction.” Thiebaud’s painting technique can be described as a “cookbook chronicling those that have added sizzle, seasoning or even sprinkle to its prolific palette” What he wanted to set out to do was to create a different visual species, which he described as being the ultimate accomplishment for all painters. Thiebaud says that art needs constant movement of different aspects of itself in order to stay alive. He also states that art draws inspiration from everything around it. He is not afraid of showing in his paintings aspects from other artists who inspired him, “My world is one crime… I steal from every artist around the world.” This may be why Thiebaud completely followed artists that were before him and also artists who were painting in his time period. Wayne Thiebaud had many artists in Abstract Expressionism and artists from Pop Art that he gathered techniques from. There were artistic time periods that he borrowed aspects from and combined with others to produce his own characteristic style. In this paper I will describe all these aspects and how their combination gave rise to the famous work we know Wayne Thiebaud for today.